ORGANICS – May 2026
We are pleased to present ORGANICS, an immersive experience developed in collaboration with sculptor Jill Berelowitz, painter Helena Traill, and Harvey Horswell Ltd.
ORGANICS brings together a new series of sculptures by Berelowitz and landscape paintings by Traill, each work centred on the significance of the organic world and its generosity to humanity. The featured plants are species that have sustained human life across millennia and will continue beyond us, both through their own evolution and through their translation into enduring artworks. ORGANICS will be hosted at the historic Morris Singer Foundry in Alton, Hampshire, just outside London, where visitors can witness molten metal being poured into moulds and follow the first painted layers through to the completion of the canvases.
ORGANICS forms the opening chapter of the Immortal Garden Series: a curated programme of immersive events and exhibitions inviting audiences to follow the making of a cohesive body of work capable of inhabiting both garden and home. To stay connected, you are warmly invited to follow our Instagram accounts and websites or join our mailing lists for previews and early access to events.
Harvey Horswell www.harveyhorswell.com/organics | @Harvey_Horswell
Jill Berelowitz www.jillberelowitz.com/organics | @JillBerelowitz
Helena Traill www.helenatraill.com/organics | @HelenaTraill
For enquiries and press please contact Flo Horswell contact@harveyhorswell.com
The ORGANICS Documentary
The Collection
Helena Traill worked live during the May 2026 event at an unprecedented scale of 2 meters, bringing her characteristic multi-impressionism style into an industrial space. Alongside will be a exhibition of Traill’s series for ORGANICS, which has a diverse collection of scale, colour and texture, but is united by a deep love of the world around us. The series whilst based on studies and sketches of landscapes, and gardens that Traill has walked, are completed in the studio into a multi-impressionist visual dialogue. The environments shown are familiar and yet do not exist, they are gardens which are immortal in the artists imagination.
A note from the artist…
ORGANICS brings together several threads in my practice: mortality and immortality, the symbolism of Eden, ancient trees and organic forms, and my ongoing fascination with shifting landscapes.
The death of my father two years ago led me back to the studio as a way of understanding grief. As someone who is neurodivergent, living with autism and ADHD, painting has always been a space of intense focus where observation, memory, and intuition merge. Through that process I became increasingly aware of the contrast between the brevity of human life and the endurance of the natural world. Plants, trees and seeds continue their cycles long after us. Throughout history, the garden has been a powerful symbolic space: representing cultivation, temptation, growth and decay. For me, it also speaks of resilience.
My work for ORGANICS asks two simple questions: what do we mean by immortal, and why has the garden always mattered so much to humanity?
Jill works in bronze, which evokes permanence, weight and endurance. I work in oil, which is about light, movement and memory. Through this collaboration we have been exploring the space between those qualities. Her sculptures hold form in time; my paintings layer moments, impressions and atmosphere. Together they create a conversation between what feels lasting and what feels fleeting.
– Helena Traill, February 2026
Media Series
Follow ORGANICS through a series of themed social media posts. The full documentary will launch Summer 2026.
Garden: We are so used to gardens that we barely see them, yet that instinct to grow seems to deepen with age. These works invite us to look again: at seed and soil, at the love that sits inside cultivation, and at the beauty of gardens we have too often overlooked in art.
Fire: Hosted at the Morris Singer Foundry fire sits right at the centre of this part of ORGANICS – in the colours, in the making, and in the feeling behind the work.
Feminine: Two female artists, two different stages of life, one fierce, fertile vision of the garden. Helena Traill, newly married, and Jill Berelowitz, now nurturing grandchildren, meet in this chapter of ORGANICS to show us that the feminine is anything but fragile.
Colour: Colour is where to Jill Berelowitz and Helena Traill meet intensely. From the patina on bronze to the palette on canvas.
Immortal: The Immortal Garden imagines nature on a different timescale to us – older, stranger, and still here long after we have gone.
Sustainability: Sustainability is not an add‑on in ORGANICS, it is baked into how both artists work and what they show us.
